Watch my shrink (2014) recovers home-videos from Youtube to discuss experiences of exhibiting intimacy and the body online. A trend in which we reveal our lives, crossing the boundary between public and private, internal and external, in a new space where our experiences come to life. Florencia Aliberti works mainly in the field of documentary and experimental filmmaking. Her projects inhabit the line between the formats of projection and exposition, moving from movie theaters to exhibition spaces. Part of her work explores forms of appropriation in audiovisual media, from analog to digital, creating new narratives for existing images. Her appropriation work has focused on new forms of self-representation and exhibition of the private sphere on the internet.

This screening will be accompanied by a conversation between blanca arias and Lucrecia Masson Córdoba, who share, among many other things, a desire to model other contours for the feminist body. Based on their research on softness and rumination respectively, both artists will open up a space where we can -slowly- imagine what might be gained by transferring the brain's capacity for reflection to the stomach. What can repetition diagnose? How to shape an epistemology of the fold?

Lucrecia Masson Córdoba is a writer and artist. Her main inquiries adress bodies, more-than-human entities, and cosmographies. From an anti-colonial stance, she works with various mediums, experimenting primarily with writing and performance. From a theoretical perspective, she is interested in imagination and stubbornly believes that one cannot think without the body. She completed the Programa de Estudios Independientes (PEI 2014-2015) at MACBA and UAB, and is currently a PhD candidate in philosophy. She has published Escrituras rumiantes. Cuerpo, exceso, animalidad (2022) as well as having participated in numerous collective publications, anthologies, catalogs or magazines. She's part of the Colectivo Ayllu with whom she participated in the Sydney Biennale (2020) and the São Paulo Biennale (2023), among other venues, in addition to coordinating the Program Oriented to Subaltern Practices (POPS). For years, she has been researching-with ruminants.

Location: Santa Mònica, Espai Bar (Barcelona)
Date and time: 12 May, 19:00 h
Free admission until full capacity is reached

estómago que digiere is part of the program nunca había querido ser carne hasta que me conoció.

This session is part of the annual program Martes de vídeo in Santa Mònica.