Having worked as secondary school teacher, Eli Lloveras shifted professionally to the cultural production field by becoming a member of YProductions, with which she developed various projects of production, management, research and training. She was one of the initiators of the HAMACA in 2005 and since 2009 she has been the director of the project.
During these years she promoted projects such as the Cicle de Vídeo a la Gran Pantalla (Video cycle in wide screens), where she introduced the video art in movie theatres. She also initiated the first anthology of video in Spain: Apologia/Antologia (Apology/Anthology). She has been invited as speaker in seminars about video distribution in institutions such as MNCARS, MACBA, Sorbonne (Paris) or Arsenal (Berlin).
With a Graduate degree in Production and Artistic Research and a Bachelor in Fine Arts from the University of Barcelona, she has been developing artistic practices that delve in the purposes behind the elaboration of images and their history in the public sphere since the 90s. She serves as tutor for the Bachelor in Arts for the UOC, and also works as coordinator and responsible for education at Hamaca. She was also a founding member for the cooperative bookstore La caníbal and has published the essay Enajenadas. Ilustraciones médicas de la locura femenina en el siglo XIX (Brumaria, 2016). She has collaborated in many collective exhibitions such as La Bestia y el Soberano (MACBA y Württembergischer Kunstverein Stuttgart) or Wunder, Milagros, Arte, Science and Religion (Deichtorhallen Hamburgo y Kunsthalle Krems); all while enjoying several scholarships and grants from institutions and private entities. Interested as well in the fields of photography and audiovisuals, her production also extends to the editing field.
Barcelona, 1978. Artist. He lives and works in between Barcelona and San Sebastián, combining his artistic side with pedagogy, directing the graf.cat and leading the arts commissary for NauEstruch. He has codirected projects such as YProductions, HAMACA, Por la Vena, Radiobucket, Objetos de Estudios (within the Fundació Tàpies) or a cycle for Sis Galería.
After a decade of working alongside the Bestué/Vives duo, he has also shown his skills in NYAM NYAM (Barcelona), CA2M (Madrid), PROKLAMA, Artium (Vitoria), Galería Mito (Buenos Aires), Tabakalera (Donostia) or THE WILSON EXERCISES in ROGALAND KUNSTSENTER (Norway), REDCAT (Los Angeles) y ESPACIO 13 - F. Miró (Barcelona).
He is also a member of the board of Hangar.
Barcelona, 1960. Art commissary, researcher and professor. Associate professor in arts and new media for the Faculty of Fine Arts of Universitat de Barcelona since 1993. Director of the Design and Media Department (2012-2016). Deputy dean for Research, PHD and Postgraduate Studies since 2016.
She has several publications on the history of video, the neat art, videogames and new media art in general. She has also curated a handful of exhibitions around all of these practices, the most recent ones being: CTRL + [self]: Intimacy, Extimacy and Control in the Age of the Self's Overexposure (2016), Festival HTMlles12 Terms of Privacy de Montreal; Romper las reglas: juego y desafío ético en el arte (2015) in CENART, Festival de Artes Electrónicas y Vídeo Transitio_MX06 de México DF. http://laurabaigorri.net/
Barcelona, 1954. He works in video, film and digital media, both from the reflective and theoretical to the on hands artistic sides. He has curated exhibitions and programs such as: Desmontaje: film, vídeo/apropiación, reciclaje (1993), Señales de vídeo: aspectos de la videocreación española de los últimos años (1995-1997) and Desbordamiento de Vale de Omar (2010-2011).
He is the co-author of two highly recognized books: En torno al vídeo (1980) and The Avant-Garde Film in Spain (1983). Other parts of his writing have been compiled in the volume Escritos de vista y oído. His own artistic work goes from the filmescultures to multiple projection pieces of the 70s. He has also created several multi-screen installations. In 2014, the Barcelona Museum of Contemporary Art (MACBA) dedicated an entire exhibition to him under the title El ojo escucha. Eugeni Bonet: pantallas, proyecciones, escritos.
Terrasa, 1978. Visual artist and researcher for the international PHD program of the University of the Arts in Helsinki.
She has exhibited her work in recognized galleries and spaces at a national and European level: Espai 13, Fundació Miró (2011), Fundació Antoni Tàpies (2014), Centro Cultural Caja Madrid (2011), La BF15 de Lyon (2014), Centro de Arte Le Lait en Albi (2015), Videonale.13 en Bonn (2011), National Museum of Photography in Copenhagen (2010), Kiasma Museum in Helsinki (2009), DIA Art Foundation (2008), Pori Art Museum (2008), Onomatopee in Eindhoven (2015 y 2012).
Her professional path has been recognized with several awards and scholarships, the most recent ones being Kone Research Grant (2016), SAAR. Summer University of Artistic Research (2015, 2014 y 2013) and Kuvataide Akatemia PhD in Helsinki (2015 and 2014.)